After stars reach a certain point, its easy to forget what they became famous for and concentrate solely on their personas. The Passion of the Christ (2004) → Carry That WeightĪlso, Elizabethtown should have been called Rubber Soul. Template:Verified ArtistMadonna is an American singer, songwriter, dancer, record producer and film director. My Octopus Teacher (2020) → Octopus’s Garden I Shot Andy Warhol (1996) → Happiness Is a Warm GunĪladdin (1992) → Everybody’s Got Something to Hide Except Me and My Monkey Into the Wild (2007) → Mother Nature’s Son In 2004, Penn won an Oscar for his role in Mystic River.
This was written for the movie At Close Range, starring Sean Penn, who Madonna was married to at the time. Leonard helped to create several of Madonna’s most unforgettable songs. The track was written and produced by Madonna and Patrick Leonard. A big part of what makes Like a Prayer perhaps Madonna’s best album is the way she tackles different styles of music successfully.Dear Jessie is a children’s lullaby inspired by the daughter of co-producer Patrick Leonard (named Jessie). It was released as the lead single of the album on March 26, 1986. Smooth Talk (1985) → Your Mother Should Know 'Live to Tell' is a song by Madonna from her third studio album True Blue. Love Actually (2003) → All You Need Is Love The Marriage of Maria Braun (1978) → Baby, You’re a Rich Man Osmosis Jones (2001) → Within You Without Youīreaking Away (1979) → With a Little Help From My Friends The Invisible Man (2020) → I’m Looking Through You I Am Curious (Yellow) (1967) → Norwegian Wood Krisha (2015) → I Don’t Want to Spoil the Partyīrokeback Mountain (2005) → You’ve Got to Hide Your Love Away The Vanishing (1988) → I Saw Her Standing There On Chesil Beach (2018) → Please Please Me
Of course, the percentage of films named after a Beatles song pales in comparison to those that are not - but what if the ratio was a little more even? Can you even … imagine? (We’re not doing solo work here.)īelow, find my best attempt to rename every movie I could think of with a new title drawn from the work of John, Paul, George, and Ringo. What lessons can other filmmakers learn from the success of Ryusuke Hamaguchi’s Drive My Car? Is it that programmers need not fear the three-hour run time? Is it that critics really do influence the Oscars? Or is it that naming your movie after a Beatles song is a foolproof cinematic good-luck charm? (The film is based on a short story by Haruki Murakami, whose work makes frequent allusions to the Fab Four.) Hamaguchi’s movie joins a proud lineage of projects that take their titles from the Beatles’ discography, including 1978’s I Wanna Hold Your Hand, 1987’s Can’t Buy Me Love, and 1990’s Misery.